Logline
When a celebrated architect dies, her estranged daughter inherits the Glass House — and a commission to finish the one project her mother never could: a memorial that tells the truth.
Cold open
EXT. GLASS HOUSE — DAWN
Fog presses against floor-to-ceiling panes. Inside, furniture is covered in white sheets like a room waiting for a verdict.
JUNE REED (29), sharp, sleepless, stands on the threshold with a cardboard box and a key that still has the real-estate tag.
JUNE
(to the house)
You don’t get to look innocent.
He steps in. Her reflection follows her across every wall.
“You don’t get to look innocent.”
Series engine
Each episode orbits a room in the house — and a corresponding lie the Reed family told the public. Architecture becomes evidence. Clients become suspects. June’s job is not only to finish the memorial, but to decide which version of her mother the world is allowed to keep.
Sample scene
INT. GLASS HOUSE — LIVING ROOM — DAY
TOMAS (50s), the firm’s managing partner, arrives with coffee and a smile practiced for donors.
TOMAS
He wanted you here. Even if he never said it out loud.
JUNE
He wanted a daughter who photographed well next to concrete. Don’t rewrite her now that she’s not here to correct you.
TOMAS
Then rewrite the building. That’s what you’re for.
Status
Pilot available for private consideration. Bible outline for six episodes. Tone references: quiet prestige drama with architectural obsession and family thriller undertow.
